Tutorial

[embedded content] Shooting professional-quality portraits with artificial lighting doesn’t have to weigh heavily on your bank account. Here’s a 22-minute video in which photographer Sean Tucker shares how to shoot great portraits using a single speedlight and a cheap modifier. “You can absolutely be a natural-light-only photographer and that can be a legitimate creative choice
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[embedded content] Wide angle lenses aren’t as easy to use as a lot of photographers think. They shrink the background and give the foreground strange proportions. They include all sorts of distractions from the scene in front of you, plus a lot of negative space. And yet… used right, wide angle lenses are incredible tools.
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[embedded content] Photographer Eric Floberg made this 10-minute video showing how he creates in-camera double-exposure photos using a tilt-shift lens, a technique he calls his “creative bread and butter.” “A lot of people do double exposures with a typical lens, but I like doing it with a tilt-shift lens because it kind of distorts reality,”
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PrismLensFX unveiled a set of Variable Prism Filters back in March that lets photographers achieve prism effects using specially-designed lens filters. Upon seeing the prism filters, landscape photographer Christian Mögnum Möhrle decided to try his hand at making his own do-it-yourself version. PrismLensFX’s Prism filter is a clear glass filter that features prism shards on
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[embedded content] Australian fashion, portrait, and lifestyle photographer Julia Trotti made this helpful 11.5-minute video that provides tips and tricks for photographing men who don’t have any experience with posing and modeling. One example pose covered by Trotti is having her subject lean against a wall in various ways. “Sometimes when taking standing photos of
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A little while ago I was teaching one of my lighting workshops and one of the attendees was looking to implement some of the set-ups I was sharing into his workflow. Seems simple enough right? Well, it turns out this photographer was a Formula 1 trackside shooter that needed to get portraits of drivers and
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Shooting directly into the Sun, whether it is sunrise or sunset, often results in some areas around the Sun getting clipped, and we get these rather harsh edges in our sky. Even when shooting bracketed or underexposing for the highlights, we may not achieve a pleasing result around the strongest light in a scene. This
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Living in St. Louis almost my entire life, I was lead to believe the lights of the bustling city were too bright to make seeing stars anywhere nearby impossible. As I grew older and started getting serious about photography, I realized that was correct… kinda. You see, if you’re within an hour of St. Louis,
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